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IN THIS DOCUMENT:

Beijing 1996

Art Libraries Congress Grenoble

ARLIS Worlwide 4: Questionnaire Set Out by the Editor

IFLA Section of Art Libraries List of Members 2:new members

National Art Library and the World Wide Web

Bibliotecas de arte, arquitectura y dise(Iq(Jo:perspectivas actuales. Art, Architecture and Design Libraries: current trends. Barcelona, 18-21 August 1993

JADS Information: A small window reporting our activities




Newsletter of the Section of Art Libraries

March 1996,
Volume 38, 1996, No. 1
ISSN: 0261-152X

Beijing 1996

IFLA Conference 25-31 August 1996


The Section of Art Libraries will be meeting as follows. Exact times are not yet available.

Friday 23 August
1400-1800
Special Libraries Co-ordinating Board (for elected officers only)

Saturday 24 August
Art Libraries Standing Committee meeting I

Evening
IFLA Officers reception

Sunday 25 August
All day - Orientation to IFLA for new members

Evening
Opening of exhibition and reception

Monday 26 August
Conference opening and Plenary session

Evening
Reception

Tuesday 27 August
Art Libraries Open Programme Session
Main Convention Center

Evening
Entertainment

Wednesday 28 August
Programme sessions of Sections and Round Tables

Evening
Local Government reception

Thursday 29 August
Section of Art Libraries Workshop
Main Convention Center

Evening
Receptions

Friday 30 August
a.m. - Art Libraries Standing Committee meeting II
p.m. - Special Libraries Co-ordinating Board meeting
Closing session

Saturday 31 August
Excursions
There will be many opportunities during the conference to attend sessions by other Sections of IFLA such as on:

  • Acquisition and Exchange
  • Management
  • Cataloguing
  • Rare Books and Manuscripts
  • Document Delivery and Interlending
  • University & General Research Libraries
  • Education and Training
  • User Education Library
  • Theory and Research

There will also be organised tours to libraries in Beijing and post- conference tours. The charge for post-conference tours will be additional to the registration costs.

Conference Hotel

In the past the art librarians have always tried to stay together in the same hotel. This year we have selected the Continental Grand Hotel which is connected to the Convention Center with underground tunnels. You should note that the price is US$ 85 per night but this is not per person - it is per room and every room has 2 beds. So it is much better value than one thinks!

Registration

The cost of registration for the IFLA conference is $350 before 1 May and $400 after that. Registration forms can be obtained from IFLA Headquarters, PO Box 95312, 2509 CH The Hague,

The Netherlands. Telephone: +31-70-3140884,
Fax: +31-70 -3834827,
E-mail: IFLA@ifla.org.

Completed Registration forms should be sent to Mr. Qiu Dongjiang,
Room 5030,
Beijing International Convention Center,
8 Beichendong Road, Chaoyang District, Beijing
100101, P.R. China. Telephone:+86-10-4933308/+86-10-4913623,
Fax:+86-10-4910257

(After 8 May 1996 Telephone: +86-10 64933308/+86-10-64913623, Fax:+86-10-64910257.)

Open Session Programme

To be held at the main Convention Center on Tuesday 27 August

Theme:

Chinese libraries and collections within and outside China.

    Chinese art libraries moving towards the 21st century -An exposition on the development of the Reference Library of Chinese Academy of Arts

    Dai Shujuan, Library of Chinese Academy of Arts, Beijing, China

    The provision and use of information on Chinese art in London
    libraries Haiyao Zheng, National Art Library, London, England

    Copper-engraving in China. The first Chinese-European co- operative project in the field of art
    Hartmut Walravens, ISBN Agency, Berlin, Germany

Workshop Programme

To be held at the main Convention Center on Thursday 29 August

Theme: Pay or profit: Fee or free

  1. Introduction to the Workshop
    Jan van der Wateren, Chairman, IFLA Section of Art LibrariesNational Art Library, Victoria and Albert Museum, London, England

  2. Paying for services: experiences at the Smithsonian Institution
    Cecilia Chin and Ildiko P DeAngelis, Smithsonian Institution, Washington DC, USA

  3. Free to fee: The current account from an academic librarian
    Karen Latimer, Queens University of Belfast, Northern Ireland

  4. Self-financing services in Libraries: a method of increasing limited library budgets in Post Communist Romania
    Sally Wood-Lamont and Joana Robu, Central Library, Club-Napoca, Romania

  5. Tariffing digital images: the Spanish background
    Javier Docampo, Biblioteca Nacional, Madrid, Spain

  6. Subsidizing end user access to research databases: from card file to the World Wide Web
    Angela Giral, Avery Library, New York and Joseph Busch, Getty Art History Information Program, Santa Monica, USA

  7. Paid services at the Library for Foreign Literature(Moscow): new objectives, experience, perspectives
    Olga Sinitsyna, MI Rudomino Library of Foreign Literature, Moscow, Russia

Art Libraries Congress Grenoble, 29/31, March 1996

Held in the Musès de Grenoble, the fourth congress of the art libraries sub-section of the ABF was attended by 130 participants from museum and university libraries, art and architecture schools, as well as major establishments including the Bibliothéue Nationale de France and the Centre nationald'art et de culture Georges Pompidou.

The program was:

RAMEAU AUTHORITY FILE

In collaboration with the Service de Coordination Bibliographique of the Bibliothèue Nationale de France, a group was formed with a view to completing the RAMEAU (Rértoire d'Autorité- Matiè Encyclopéique et Alphabéique Unifié authority file and specifically the domains relating to art and architecture terminology.

Marie Claude Thompson (BNF. Déartement des estampes et de laphotographie) reported on the results of an investigation made last summer to determine the needs of art libraries with regard to automated cataloguing, network services, importation of bibliographic notices, subject indexation, and the use of authority files or thesauri .

Véonique Lacan (BNF, SCB) presented Rameau (used now by almost 400 specialized and university libraries).

A committee was formed with a view to improving 20th century art and architecture terminology used in Rameau.

Catherine Arminjon (Caisse Nationale des Monuments Historiques et des Sites) and Maryse Bideault (Bibliographie d'histoire de l'art , CNRS, Getty AHIP) gave useful information about their experience in indexing art documentation.

These lectures showed wide diversity in the automated management programmes and indexation methods used by libraries, revealing the need for better coordination and training.

CATALOGUING OF INACCESSIBLE DOMAINS

A working group, presented by Jean Paul Oddos (Documentation du MNAM-CCI, Centre Pompidou) is establishing the parameters required for computerized cataloguing of files (albums) on artists and photographic materials. This documentation is essential to scientific research in museums.

CD-ROM ON FRENCH SALONS

The aim of this working group was presented by Marie Elisabeth Wisniewki (Biblioth$BoR(Jue et archives desmus$BqF(Js nationaux) : to edit these fragile and muchconsulted documents as a viable alternative to manual consultation. We selected four Salons as priority:

  • The Salon de l'Acad$BqN(Jie Royale de Peinture et de Sculture (1673/1983)
  • The Salon de la Soci$BqU(J+ nationale des beaux-arts (1890-1983)
  • The Salon des Ind$BqQ(Jendants (1884/1993)
  • the Salon d'Automne (1903/1994)

Reproducing the leaflets in text mode will facilitate rapid access to the text and indexes (names of exhibitors, titles of works displayed). The Chadwyck-Healey Company is making a feasability study to produce and distribute the CD-ROM.

Two round tables allowed librarians in the art schools (presided by Mireille Etignard, Ecole d'art de Besan$BmP(Jn) and museum libraries (Isabelle le Masne de Chermont, Biblioth$BoR(Jue et archives des mus$BqF(Js nationaux, Paris) to exchange ideas about their work.Demonstrations of CD-ROM and the Internet completed the session.

Four booksellers proposed information on their services :Casalini Libri, Erasmus, L$BqP(Jnce Laget,Macmillan Dictionary of art.
It was also the occasion to give information about IFLA publications:

  • International index of art libraries
  • Lexicon of art and library science terminology

The questionnaire concerning job training for art libraries (an initiative proposed by Beth Houghton, Tate Gallery library, London) was given out. It has been translated into French.

We had also the pleasure to meet again some foreign colleagues.

Gillian Varley (Head public services National Art Library, Victoria and Albert Museum, London and Chair ARLIS/UK and Ireland) presented a paper on cooperative projects with the British Library.

We met also Ulrike Michalowski (Gesamthochschul-bibliothek Kassel), R(I|(Jdiger Hoyer (Zentralinstitut f(I|(Jr Kunstgeschichte, Munich), Jean- Pierre Dubouloz and Marie Fran$BmP(Jise Guillermin (Biblioth$BoR(Jue d'art et d'arch$BqP(Jlogie, Gen$BoW(Je), Hiroyuki Hatano (The National Museum of Western Art, Tokyo).

Sylvie Crouzet (Biblioth$BoR(Jue municipale d'$BqU(Jude et d'information, Grenoble) presented the regional network of libraries in Grenoble and invited us to a Matisse "Jazz" exhibition and to a concert. We visited the Mus$BqF(J de Grenoble, the Mus$BqF(J Dauphinois and the Mus$BqF(J de la R$BqW(Jolution fran$BmB(Jise au Ch$BcU(Jeau de Vizille.

Suzanne DAY, Nicole PICOT
April 1996

ARLIS Worlwide 4: Questionnaire Set Out by the Editor

Revised version in English of the article on ABF put in the newsletter No.34.

Sous-section des Biblioth$BoR(Jues d'Art de l'Association des Biblioth$BqD(Jaires Fran$BmB(Jis (ABF)
7, rue des Lions Saint-Paul
75004 PARIS
Tel.:+33-1-48-87-97-87
Fax.:+33-1-48-87-97-13

Pr$BqT(Jidente : Nicole PICOT

Biblioth$BoR(Jue et Archives des Mus$BqF(Js Nationaux Direction des Mus$BqF(Js de France
6, rue des Pyramides
75041 PARIS cedex 01
Tel. : +33-1-40-20-58-95
Fax. : +33-1-40-20-51-69

Founded in 1967 by Jacqueline Viaux

Purpose: Exchange of ideas, reflection and cooperation through field trips, meetings, training seminars, working groups, with the aim of resolving problems specific to art documentation through collaboration. The wide range of art libraries, the large number of government administrations involved and the impact of decentralization make a common structural base more and more necessary.

Number of individual members : 100
Principal publications :

THOMPSON (Marie Claude).-Les sources de l'histoire de l'art en Franc: r$BqQ(Jertoire des biblioth$BoR(Jues, centres de documentation et ressources documentaires en art, architecture et arch$BqP(Jlogie r$BqB(J lis+ par Marie Claude Thompson avec le concours de Catherine Schmitt et Nicole Picot.- Paris : ABF , 1993.

Novembre des arts + Besan$BmP(Jn: documentation, enseignement, recherche et histoire de l'art.

Actes du colloque de la Sous-section des biblioth$BoR(Jues d'art de l'ABF organis+ + l'Ecole d'art de Besan$BmP(Jn du 19 au 21 novembre 1993.- Paris : ABF, 1994.

SCHMITT ( Catherine).-Biblioth$BoR(Jues d'art, cinq ans d'activit+ (1989-1994)

In.:Bulletin d'information de l'ABF. N(I0(J 166, 1 er trimestre 1995 : pp.83/88.

IFLA Section of Art Libraries List of Members 2:new members

We have seen a dramatic increase in membership to the Section. Since publishing our list in Newsletter no.36, 1995, no.1 some 22 further members joined whilst 4 members did not renew membership. Their details are listed below.

Nevertheless ours is still a very small Section and we should encourage as many people and organisations as possible to join. Currently membership for institutions costs 600 Dutch Guilders (c.US$ 362) which includes membership of two Sections. Libraries can register for additional sections at a charge of only 100 Dutch Guilders (c.US$ 60). If your parent institution is already a member please ensure that your art library is represented by choosing to join the Section of Art Libraries. You can also join as a Personal Affiliate at 200 Dutch Guilders (c.US$ 120) which includes membership of one Section.

BELGIUM

ROYAL MUSEUM FOR FINE ARTS, LIBRARY
Dieter Lampens
Scientific Librarian
Plaatsnijdersstraat 2
B-2000 Antwerpen

VLAAMSE VERENIGING VOOR BIBLIOTHEEK-ARCHIEF-EN DOCUMENTATIEWEZEN (VVBAD)
President: E Pairon
Waterloostraat 11
B-2600 Berchem
Antwerpen

CHINA

CHINA SOCIETY FOR LIBRARY SCIENCE
c/o National Library of China
Secretary General: Liu Xiangsheng
39 Bai Shi Qiao Road
Beijing 100081

FRANCE

ASSOCIATION DES DIPL(IT(JM(II(JS DE L'ECOLE DE BIBLIOTH(II(JCAIRES- DOCUMENTALISTES
President: Ms. Marie-C$BqD(Jile Comerre
s/c Biblioth$BoR(Jue du Saulchoir
43bis rue de la Glaci$BoS(Je
75013 Paris

BIBLIOTH(IH(JQUE DU SAULCHOIR
Michel Albaric
43bis rue de la Glaci$BoS(Je
75013 Paris

BIBLIOTH(II(JQUE NATIONALE DE FRANCE
Richelieu Site
President: Jean Favier
2 rue Vivienne
75084 Paris Cedex 02

UNIVERSIT(II(J PARIS XII-VAL-DE-MARNE
Service Commun de Documentation
Director: Ms. Dominique Roche
61 avenue du G$BqOqS(Jal de Gaulle
94010 Creteil Cedex

HONG KONG

URBAN COUNCIL PUBLIC LIBRARIES
Chief Librarian: Michael Mak
6th Floor, High Block
City Hall, Edinburgh Place
Hong Kong

IRAN

IRANIAN CULTURAL HERITAGE ORGANIZATION DOCUMENTATION CENTER (ICHO-DOC)
Head: Ms. Fariba Farzam
Azadi Avenue
PO Box 13445/719
Tehran

PORTUGUAL

DEPARTAMENTO DE DOCUMENTA(IG(JAO E PESQUISA
DO CENTRO DE ARTE
Moderna Jos+ de Azeredo Perdigao
Jorge M Resende
Rua Dr. Nicolau Bettencourt
1093 Lisboa Codex

INSTITUTO PORTUGU(IJ(JS DO PATRIM(IS(JNIO ARQUITECT(IS(JNICO EARQUOL(IS(JGICO (IPPAR)
Library
Pal$BaD(Jio Nacional da Ajuda
300 Lisbon

RUSSIA

RUSSIAN LIBRARY ASSOCIATION
President: V. N. Zaitsev
18 Sadovaja Street
191 069 St Petersburg

RUSSIAN STATE ART LIBRARY
Director: Ms. Tamara I Silina
8/1 Pushkinskaja Street
103 031 Moscow

ST PETERSBURG THEATRE LIBRARY
Director: Ms. Raisa A Mikhaljova
2 Zodchy Rossi Street
190 011 St Petersburg

SPAIN

MUSEO ARQUEOL(IS(JGICO NACIONAL, LIBRARY
Ms. Del Rosario Lopez de Prado
c/Serrano 13
28001 Madrid

SRI LANKA

RUSSELL BOWDEN
1115/1 Parakum Mawatha
Bangalawatte
Kottawa

TURKEY

ZANBAKOGLU
Ms. tulin
c/o Traditional Design and Book Center
Ayaspasa Inonu Caddesi 63
80090 Istanbul, Taksim

UNITED STATES

JOSEPH A. BUSCH
c/o Getty Art History Information Program
401 Wilshire Blvd., Suite 1100
Santa Monica
California 90401

FRICK ART REFERENCE LIBRARY (of The Frick Collection)
Chief Librarian: Mrs. Patricia J Barnett
10 East 71st Street
New York
New York 10021

GRADUATE SCHOOL OF LIBRARY AND INFORMATION SCIENCE, SIMMONS COLLEGE
Dean:James M. Matarazzo
300 The Fenway
Boston
Massachusetts 02115

MRS. KAREN MULLER
733 W. Briar Place
Chicago
Illinois 60657

MS. SUSAN G. SWARTZBURG
c/o Rutgers University
(H) 1050 George Street #4L
New Brunswick
New Jersey 08901

MEMBERSHIPS NOT RENEWED

AUSTRALIAN LIBRARY AND INFORMATION ASSOCIATION
Executive Director: Ms. V Walsh

RUSSIAN NATIONAL COMMITTEE FOR IFLA, SECRETARIAT
c/o The Russian State Library
Secretary: Ms. L F Kozlova

UNIVERSITY OF GEORGIA LIBRARIES
JAMES M. BOWER
c/o Getty Art History Information Program

CHANGE OF ADDRESS

New address of ARLIS/Norden is as follows:

ARLIS/Norden
Kerstin Assarsson-Rizzi
Vitterhetsakademiens bibliotek
Box 5405
S-114 84 Stockholm
Sweden National Art Library and the World Wide Web

The World Wide Web pages of the National Art Library (Great Britain) are now available via the Internet and can be accessed as follows:

http://www.nal.vam.ac.uk/

The Library's on-line computer catalogue can be accessed from within these WWW pages. The Library's computer catalogue contain all items catalogued since 1987, plus an increasing amount of older material.

If you wish to go straight to the catalogue rather than through the WWW, use the following address:

telnet nal. vam.ac.uk

At the login:prompt, type opac and press RETURN

We welcome everybody's visits to our site.

Jan van der Wateren
Keeper and Chief Librarian
National Art Library, London

Bibliotecas de arte, arquitectura y dise(Iq(Jo:perspectivas actuales. Art, Architecture and Design Libraries: current trends. Barcelona, 18-21 August 1993

The proceedings of the IFLA Section of Art Libraries Satellite meeting in Barcelona were published in December 1995 as IFLA Publications number 74. In this publication the 32 papers which were presented at the conference, some of them updated at the request of the authors, plus eight which were not read due to lack of time, have been collected together.

The conference had a general title:"Art, Architecture and Design Libraries: current trends" and the aim of the conference was to point out current trends in art librarianship. Since the conference was held in a Spanish city, almost half of it was dedicated to Spanish art and architecture documentation and to Spanish art libraries and their collections.

The book is divided into five sections, one each for the themes of the conference programme.

Theme 1. Art, architecture and design libraries: current trends, with contributions from Michel Melot (Paris), Jan van der Starre (Netherlands), Douglas Dodds (United Kingdom), John Kirby (United Kingdom) and Amelia Maria Moreira (Brazil).

Theme 2. Image processing of iconographic material in art documentation gathers seven papers on the processing of such material, for example digitization projects in two national libraries (Spain and Italy), in the collection of photographs in an art research institution (Departamento de Arte Diego Vel zquez CSIC, Spain) and recent developments in Japan.

Theme 3. Documentation of architecture and design: libraries and archives includes five papers that range from European co-operation between architectural libraries, to the presentation of architecture libraries in Catalonia from their very beginnings, and archives as a source of information in architecture.

Theme 4. Documentation of Spanish art and architectural heritage collects seven papers, covering documentation from Spanish art at the Frick Art Reference Library in New York to ARCAT, a database specialising in Catalan Romanesque art.

Theme 5. Spanish art libraries and special collections brings together eight papers that present eight collections in Spanish art libraries in Madrid, Barcelona, Valencia, Granada and Palma de Mallorca.

In addition the publication also includes the speeches of the opening and closing session, as well as the conference programme and the list of participants.

Copies can be purchased from K.G. Saur Verlag, Postfach 70 16 20, D- 81316 Munich, Germany for DM168.00 (DM126.00 for IFLA members). Credit card payments (Visa and American Express) are also accepted.

ISBN 3-598-21801-X
ISSN 0344-6891 (IFLA Publications)
Ma Llu$B}T(Ja Pons and Conxita Sangenis, Editors

JADS Information: A small window reporting our activities

We are very pleased to announce the publication of the No.1 issue of JADS Information, the annual English newsletter of Japan Art Documentation Society (JADS). The purpose of this newsletter is to introduce the activities of JADS and to exchange information and opinions among art librarians, art documentalists, art historians and all persons and organizations concernedaround the world.

We recognize the importance of the publication of the English newsletter for our further development of activities. JADS was established in 1989 to contribute to the promotion of activities and the solution of problems in art documentation from not only internal but international viewpoints.

As you will see on the last page of No.1 issue of JADS Information, Mr. Takeshi Mizutani, member of International Exchange Committee of JADS, referred to IFLA Tokyo Conference held in 1986.

He mentioned that the opportunity of communicating and sharing the time and place with overseas colleagues of ARLIS/NA, ARLIS/ANZ and others at that meeting stimulated us and produced the result of the establishment of JADS 3 years later.

It may safely be said that such an international exchange seeded the birth of the new association in Japan.

Fortunately some of us could attend or participate as speakers in international conferences like IFLA SAL and so on. Especially Mr. Hiroyuki Hatano, Acting President and Secretary General of JADS, has been making continuous efforts to convey Japanese new trends and movements in art documentation at such conferences.

At the same time we are conscious that we need to expand the communications with the colleagues who can not afford to attend such conferences.

JADS Information is a very small window reporting our activities. We apologize for the five year suspension since the preliminary issue (No.0) was published in 1991. We would like to lay the foundations of the publication and set it on the path as an annual newsletter.

Though the language problem is always a great wall against us, we will consider the best way to give the information. The contents of No.1 issue is mainly an introduction of JADS and its 7 years of activities, and brief English summaries from The Bulletin of Japan Art Documentation Society and Proceedings of the First Forum on Art Documentation: Art Information and Library Services. From the next issue we will add the articles to introduce Japanese art libraries or Japanese source literature of art, activities of working groups and members, and columns by the editorial board and so forth.

This newsletter will be distributed to the principal related societies, organizations, and institutions as a gift or on an exchange program basis. So subscriptions are free, however, we would greatly appreciate it, if you would pay for the postage by sending 3 International Postal Coupons (Coupon-Reponse International) to the following address. We would like to take this opportunity of exchanging materials including the Bulletin with overseas organizations. We look forward to your opinions and information. We will reflect your valuable advice and suggestions to this newsletter.

JADS Information, edited and published by Japan Art Documentation Society (JADS). No.1 (1996.3)+ Annual. ISSN 1342-0356

Address:Japan Art Documentation Society (JADS),
c/o Hatano Office,
Curatorial Department, The National Museum of Western Art,
7-7 Ueno-koen, Taito-ku, Tokyo 110,
Japan

Tel:+81-3-3828-5166 Fax: +81-3-3828-5797
E-mail address:LDT02307@niftyserve.or.jp

Setsuko Nakamura
Editor-in-Chief of JADS Information
Bridgestone Museum of Art
Tokyo, Japan


This newsletter is produced with the financial assistance of the Library of the Getty Center for the History of Art and the Humanities.

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Latest Revision: September 20, 1996 Copyright © 1995-2000
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